While we can argue whether Twitter is a “new social media” or not, one great thing about it is the Amazon MP3 twitter feed.
Amazon certainly seems to be trying to put a dent into iTunes dominance. Not only are they offering DRM free MP3’s, but their Amazon downloader puts the songs right in your iTunes (if you so choose).
You do not have to be a Twit or even a Twitter user to see the daily deals. Just go to http://twitter.com/amazonmp3 each day.
The daily deals are extraordinary. This month alone I have downloaded:
on 3/3 (the day the album came out) U2’s No Line on the Horizon for $3.99;
yesterday, John Coltrane’s The Ultimate Blue Train for $1.99;
today, Diana Ross & the Supremes’ 18-song Definitive Collection. Everyday price: $7.99 Today’s price: $1.99
Yes, an eclectic mix, but they feature different albums everyday. I’m going to ignore the feed for a few days before I personally re-stumulate the economy.
The Talking Head’s live album “Stop Making Sense” was the staple at our Rugby games, the tunes that got us jazzed up to play. The movie of “Stop Making Sense” (cue the visual of Byrne dancing in his over sized suit) really pounded that album into my brain.
Byrne has re-united with Brian Eno who produced several Talking Head’s albums for a new album called Everything that Happens will Happen Today. The streamer for it is embedded below. Good to hear you again, Mr. Byrne, and please bring back the suit.
Last year, it was a trip with our friends Monte and Margaret (from Munich) to Oxford, England to see Dave Matthews and Tim Reynolds…and a fantastic trip it was.
This year, it was Vegas and Elton John at the Coliseum at Cesar’s Palace. A shorter trip for my wife and I, but a longer trip for our traveling companions….but, again, well worth the air miles. This wasn’t just a concert, but a multi-media event. Elton and his band were fronting a huge screen, which showed a video or photographic collage for each piece played. David LaChappelle, a somewhat surrealistic photographer and film director, designed the set and the movies. (more…)
Spring cleaning…the only part I enjoy about it is finding things I’d forgotten about or thought I’d lost. Luckily, I found my 1973 copy of Martin Bookspan’s brilliant compendium of classical music. Though the references to recommended LP and Tape recordings (LP and Tape!) are dated, the biographies and descriptions of the pieces are not.
This is an excellent introductory guide to classical music, and is also a thorough reference to the great composers and their works. Unfortunately you will have to look at your local used bookstore or on eBay, as this book is no longer in publication. It is well worth the hunt, however. (more…)
I have almost every album Rush has put out…on LP, including a pristine 1975 Fly By Night. I have signed copies of several albums now considered “Classic Rock”, including a Black Sabbath Album signed by Ronnie James Dio (the singer who took Ozzy’s place, and led Rainbow…remember them, kids?), plus copies of albums that are hard to find on CD or iTunes (remember Riot’s album Narita?).
As of last night, I have my old Fly By Night album on my new iPod.
And I am slowly but surely getting many of my LPs moved to MP3 and onto my iPod, through a USB Turntable and software called Audacity, one of the coolest geek gifts my wife has gotten for me. The turntable is from ION; setup and use is a breeze; this type of technology has been around for a while, but because of how simple this configuration is, I highly recommend it. (more…)
The dynamic due put together a phenomenal acoustic album, for Dave and Tim fans, DMB fans and accessible to music lovers of all genres
Yes, I’m a Dave Matthew’s fanboy. I purchased both the CD, the DVD and bought early so I would get the extra Europe 07 CD (my wife and I met Monte and Margaret from Munich in Oxford, UK to see the boys, and I’m sure I can hear the girls screaming on those tracks).
UPDATE: Since many folks have asked, I’ve started adding links to the lyrics on the DMB site.
I’ve had this album since it first came out, and have worn it our on road trips around Texas…maybe it’s the reason my iPod disc drive crashed (just in time for Christmas…hmmmm). Why should you own this album? The Dave Letterman Matthews Top Ten: (more…)
As a music spectacle, it was pretty spectacular. But as a rallying cry and mustering of political might, I question if Live Earth actually made things better or worse.
These types of “benefit concerts” are old news, leaving most people to sleep through them; I would have except my wife saw Dave Matthews on and we were hooked (go Dave, where was Tim?);
Many of the artists and organizers themselves were wondering if the concert was hypocritical, if, in fact, the act of fans, artists and organizers traveling to and putting on these concerts used a “larger carbon footprint” that it was worth (excellent brief Time magazine article here);
Unfortunately, you cannot capture the brilliance of Dave Matthews and Tim Reynolds live on an album. But this one comes close.
We saw this dynamic duo in Oxford England March 2007, as they played for more than three hours. Their performance live is unmatchable.
This album demonstrates yet again what an amazing songwriter, singer and acoustic guitar player Dave Matthews is…and it shows glimpses of the amazing talent that is Tim Reynolds. Dave’s lyrics shine in this acoustic set more so than in DMB studio albums, as his voice becomes the third instrument in this duo. Through Dancing Nancies, #41, Dancing Nancies and Cry Freedom, Dave’s songwriting expertise is more visible than with the full band. Tim Reynolds is amazing live and in person, and my one issue with this album is that his contributions aren’t noticeable unless you know what you are listening for. But you can certainly hear his lead licks on #41, Dancing Nancies and Say Goodbye.
And it took me awhile, but I recognized the acoustic “Little Thing” (something “Dave and Timmy had been working on”) as “An’ Another Thing” from Some Devil…both versions are great.
An excellent album, see them in concert if you get the chance.
Great music, whether you call it jazz, fusion, rap, R&B
This is one of those rare albums that you want to listen to over and over again, where you keep hearing new pieces you never heard before.
Like on the track “James Brown Part I and II”: Carl Burnett’s starting guitar, followed by a drum machine? then the horns, with Branford on tenor and David Sanborn on Alto, point/counter point all the way through. One of my favorite driving songs. Then part II goes into record scrachin’ rappin’….then back to the horns. Fantastic.
“Another Day” slows it down, smooth. Then “Try These On” is one of the best mixes of jazz, rap, everything, that I’ve heard…always with Branford’s horn.
“Samba Pop” starts out with a descriptive lyric: “Even if it’s jazz in the quiet storm/Bebop converted in a hip hop form”. That describes this track perfectly.
And don’t miss the unnamed unmarked bonus track (#17 on the CD)…a very tight 4+ minute jazz tune.
I keep wishin’ for a 3rd Buckshot album. How ’bout it, Branford? PLEASE!
thing about it is the Amazon MP3 twitter feed.
